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Grateful Dead Live at Capitol Theater on 1971-02-24

1. Casey Jones 5:11
2. Me And My Uncle 4:27
3. Cumberland Blues 5:04
4. Next Time You See Me 3:34
5. Bird Song 7:45
6. Me And Bobby McGee 6:04
7. Bertha 5:26
8. Hard To Handle 6:36
9. Loser 6:07
10. Playing In The Band 4:28
11. Good Lovin' > Drums > Good Lovin' 17:05

1. tuning 0:10
2. Sugar Magnolia 5:37
3. I'm A King Bee 7:30
4. Greatest Story Ever Told > 4:13
5. Johnny B. Goode 4:00
6. Deal 4:41
7. New Minglewood Blues 4:16
8. Truckin' 8:39
9. Not Fade Away > 3:33
10. Goin' Down The Road Feeling Bad > Jam > 9:06
11. Not Fade Away reprise > 2:23
12. Turn On Your Lovelight 19:53

Collection GratefulDead
Band/Artist Grateful Dead
Venue Capitol Theater
Location Port Chester, NY

Source SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Transferred by Leigh Orf and Bob Clevenger


The Sound Forge noise reduction was used to attenuate a very
narrow frequency band (in the vicinity of 8000 Hz) which
was present as interference on the original reels. See for details.

Remastered by Leigh Orf

The short story:

1) I removed the whine (~8000 kHz tone at about +25 dB) from this show
that was present with the source reels using Sonic Foundry's Noise
Reduction algorithm, as I did with the earlier uploaded Port Chester
shows (2/18 and 2/21). For an explanation of the noise and how I removed
it, see

2) There are a couple of very minor dropouts/glitches which I have
cleaned up as well as I can. These occurred when the DAT tape was
"ripped" to disk.

3) This show is as good as you're gonna get as far as I know because of
the NR and the excellent remastering from the originnal reels!

4) I've kept in all the intersong tuning/whatever. I figure others can
edit them down if the wish. I like having it there, sometimes funny
things are said and done :) plus you can always just hit FFWD on your CD
player remote to get to the next song!

The long story with regards to 2) above:

The DAT tape, a clone from the "whatever became of the bettys" tree a
while back, was borrowed and was read in on an old SGI indigo which has
firmware which can read DAT audio tapes and dump them to 48 kHz AIFF
files. Alas, I do not own a DAT machine and digital sound card, but I am
saving my money! Anyhow, the error correction on the SGI DAT drive was
pretty crappy, and there were a few dropouts/glitches on the read which
lasted anywhere from less than 1/75 s to a second or two.

I have at my behest a professional quality DAT machine at a community
radio station I volunteer for (WORT) and brought my home tape deck in
which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT
does not have a computer with a digital sound card). It is a very good
deck for analogue. The DAT deck at WORT was able to handle *almost*
all of the bad spots that were not handled well by the SGI. I made a
dobly S copy of the bad spots, and pasted over (using an analogue AWE64
Soundblaster to go A->D) the glitches/droputs on the SGI read using
Sound Forge. The result is as good as i could do. You won't even hear
most of the original glitches, and the ones that remain were due to bad
spots on the DAT, that the WORT deck was unable to handle. Bear in mind
that the total amount I had to paste over represent a total of about
15 seconds across the entire show, and I was able to 'fix' 99% of them
completely. There are one or two dropouts/bad reads that are very short
(mostly in Casey Jones which Betty fucked up anyway ;)

For the curious I left about 1 second of the original noise that I
filtered out. It's at the very very end of track 1 on disk 2 after the
crowd noise fades.

Leigh Orf


Reviewer: njpg - - February 24, 2012
Subject: Nice NFA/GDTR jam.
Stream Only
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( VBR )
In Collection
Grateful Dead
In Collection
Live Music Archive
Uploaded by
Matthew Vernon
on 9/23/2009
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
Source: Sennheiser 4xx's > Marantz PMDxxx > MC.
Grateful Dead
by Grateful Dead
Source: Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard (note: this source was originally seeded with a corrupt track 305 represented by the alt-md5 checksum; a fixed version now circulates)
Grateful Dead
by Grateful Dead
( 1 reviews )
Source: Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS;
Grateful Dead
by Grateful Dead
Source: AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine.
Grateful Dead
by Grateful Dead
Source: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255.
Grateful Dead
by Grateful Dead
Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Grateful Dead
by Grateful Dead
Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Grateful Dead
by Grateful Dead
Source: Neuman KM 140's>DAT(48kHz)
Grateful Dead
by Grateful Dead
Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.